Storming, stomping, insurgent Niney. Stunning record.

‘I think it was 1979, or 1978. That rhythm, I record it at Channel One, and take it to Perry. So when me go down there and record it with Perry, I would have to get it mixed down so it would fit Perry’s 4-track Teac. So this is where now I voice it, and Scratch mix it, mix the voice. Then we put back the rhythm on the thing, and go back down to Channel One, and then Ranking Barnabas mix it. So it’s really Scratch, Barnabas and Scientist work on that song. That’s why you hear Scientist develop the foot and all those… double drumming you see there. It was Sly, Sly was the one who play that drum. Sly, Fullwood, Tony Chin, Chinna, Bobby Ellis, Dizzy the guy that play Riot for Keith Hudson, and Tommy McCook.’

Live recordings made at Théâtre Dunois, Paris, in April, 1981.

Ricardo Villalobos, Underground Resistance, Chez Damier and full crew sparking off the Arkestra LP Living Sky and a spoken-word album of Sun Ra’s poetry, My Words Are Music.

‘Dora’s signature, sublime, open-hearted refinement of modern classical, folk and ambient is at its most colourful and rhythmic in this suite of keyboard instrumentals; an aural mille-feuille, in dramatic contrast with her previous, melancholic vocal works.
‘Atmospheric drone miniatures underpin flowing, cyclical arpeggios, spiralling into an unpredictable dream space of melodic polyphony. Drawing on an essay by Hartmut Rosa, the music mulls over conceptions of the acceleration of time and the experience of alienation. It reveals the inescapable pulsation of time as at once mesmerizing and unsettling.’

Eight poetic songs attuned to the early 1970s chanson of Brigitte Fontaine, performed by Mauricio Amarante and Marine Debilly Cerisier.

Ignatz is the alter-ego of Belgian musician Bram Devens, who has released a string of albums for labels like (K-RAA-K)³, Ultra Eczema, Fonal, Mort aux Vaches, and Okraïna, over the last twenty years.
Devens recorded this wonderful, haunted music at home in Landen, on the family piano.
There is pervasive, ambient Dub, mesmerically shifting; sometimes aghast. Somewhere in the swirling mist are the guitarist Hans Reichel, and blues pianists like Jimmy Yancey, amongst other ghosts. Time Well Spent even musters a kind of motorik energy, determinedly mis-firing.
It is quite unlike any other piano record.
Beautifully presented, too, to the customary high standards of this label.
Check it out!