Previously unreleased, unmissable dubwise mixes.

Earl Morgan and Barry Llewellyn joined by Naggo Morris in 1978, with the genius engineer Sylvan Morris and the mighty Niney the Observer at the controls, and a crack band featuring Sly Dunbar. Every Day Life and Mr. Do Over Man Song are crucial, tip-top Heptones.

The heaviest Cool Ruler of them all; the heaviest Joe Gibbs / Errol T dub. Murder, she wrote.

A Black Zodiac killer from the early-eighties. Tough dub, too. Rough!

Black Ark magic. Al Campbell steps up with teacherly scorn, as clear as a bell.

Expert, breezy version of Grover Washington’s Loran’s Dance (as sampled by A Tribe Called Quest, on Push It Along). Lovely stuff.

The dub is a militant, clattering, tearaway, raw monster-slayer, with Johnny Clarke at the controls, for his own label. Total murder.

Leroy Brown’s killer detournement of Bobby Bland’s classic Ain’t No Love In The Heart Of The City, plus Clint Eastwood’s storming deejay excursion.
It’s a shame there’s no room for the stunning dub on the original Stagesound release of the Clint, but you can’t have everything.
It’s a must.

A heavyweight, Upsetters-flavoured, rockers re-lick of the Duke Reid classic; with the Soul Syndicate tripping out on Java, on the flip.