Expert dubs by Prince Jammy.

With a Nitty Gritty dubplate do-over of Trial And Crosses.

Thumping soundboy frightener from 1987, with nice Eastern flourishes.

Triumphantly reviving all-time-classic Jammy’s. Proper dub, too.

Top-notch digi sufferers from 1987. Plenty of Dennis in Leroy’s singing.

Shades of Brown. Leroy B sounds like Dennis B, over Glen B’s immortal Wicked Can’t Run Away rhythm. Typically expert digi do-over by KJ, with an ace dub.
Creativeness pon the dance.

Rock Fort Rock and China Town excursions.

Rough! Same rhythm as Frankie Paul’s Leave It To Me. Moody, inimitable, brilliant Jammys, with inspirational singing by the great CC.

Good grief, it’s actually The Chi-Lites, on a John John update of Sleng Teng.

Late-eighties Jammys digital roots — with Steelie & Clevie at the controls — following up the classic Hell A Go Pop set. The hits were Running Back To Me and Distant Lover.

‘Yes we nice, yes we nice… Hold them, music, hold them, yes, we control them… no we nah go let them stray.’ Dancehall manners — on the rhythm Delgado used for Rasta People — as clinically murderous as all-time EJ hits for Jammys like Rock Them One By One and Turn Up The Heat.

Tight, classy dubs of the Revolutionaries rhythms behind Cool Ruler killers like Black A Kill Black and Uncle Joe. Classic Jammys.

Ain’t no house like Waterhouse for Black Crucial, Anthony Johnson, Junior Reid and co.