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Studio One activist Sugar Minott’s favourite LP of all time.
A stone-classic mixture of foundational rhythms, peerless rocksteady lovers, and songs with the political concerns of the roots reggae to come.
Killer after killer. An absolute must.
Dark, menacing and pained; wonderful Upsetters, always timely.
His first LP, from 1980. Al Campbell productions recorded with Sly & Robbie at Channel One; mixed by the hubristic teenager at King Tubby’s. Great stuff… but a non-scientific title.
Phil Pratt productions, 1972-1974; Sunshots recorded at Channel One, Black Ark, Dynamic Sound and Randy’s Studio 17, with house engineers Ernest Hoo Kim, Lee Perry, Carlton Lee and Errol Thompson at the helm, and backing by Sly & Robbie, Family Man, Chinna, and co, aka Soul Syndicate. Check the versions of Money Money Money and I Don’t Want To Be Outside.
The African Brothers in full effect. Barry Brown does anthemic justice to this killer song, written by Tony Tuff; produced by Sugar Minott. The reasoning is bang on the money, over a lovely rhythm. The deadly dub is by Scientist, at Tubby’s. It’s a must.
Rare Jammys singles plus a trailer load of previously unreleased cuts, including do-overs of Police & Thieves and Cool Out Son.
Twenty-three Errol T dubs of Joe Gibbs hits released between 1980 and 82, at the start of the dancehall era.
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