The dub is a militant, clattering, tearaway, raw monster-slayer, with Johnny Clarke at the controls, for his own label. Total murder.

Leroy Brown’s killer detournement of Bobby Bland’s classic Ain’t No Love In The Heart Of The City, plus Clint Eastwood’s storming deejay excursion.
It’s a shame there’s no room for the stunning dub on the original Stagesound release of the Clint, but you can’t have everything.
It’s a must.

A heavyweight, Upsetters-flavoured, rockers re-lick of the Duke Reid classic; with the Soul Syndicate tripping out on Java, on the flip.

Collecting the first five Burial Mix tens, all featuring Tikiman, with their dubs.

A brilliant, taut take on vintage Wackies, there on the flip.

Their epochal 1997 masterpiece inaugurating the Rhythm & Sound label.
Half an hour of judge-long-sentence steppers.
A stone masterpiece of modern dub, towering over the field till kingdom come.

The LP is from Only Roots.

In-a-state TWENTY-EIGHT original Upsetters here.
All mint or near enough; labels as pictured.
This one is prime Dennis Alcapone.

‘An absolute must,’ as Steve Barker writes in The Wire. ‘The main Attraction is the dubplate mixes of the Jah Shaka power play Jah No Parshall, here retitled Gates Of Zion. One astonishing dub mix features vocals from Prince Mohammed aka George Nooks in his early deejay guise. Chopped from the lyric and dropped into the chasmic dub mix, the phrase ‘heavy as lead’ would have made an apt title.’

Tell them, Shabba.