Deep Berlin steppers. Dubwise traces of our original Lagos recording — the percussion of Yinka Ogunye, the singing of fifties palmwine legend Rolling Dollar, Oscar Olimbi’s guitar lick — blend in with Moritz’ own warm Oberheim voicings, additional drumming, and cool-and-deadly rhythm track. It’s a tough, masterly dance record in fine Rhythm And Sound style (evoking vintage House, too) — which during its ten-and-a-half minutes seems to ponder time elapsed and journeys undertaken.
Reggae Land Dub is the thumping, pared-down dub of Wareika Hill Sounds’ rootical rework of Ise Nla. Magnificent trombone and percussion; expert, classical JA mixing. Brings to mind the versions of Black Man Stand Up Pan Foot.

Honest Jon’s presents Mark Ernestus from Rhythm And Sound spinning 45s alongside DJ Pete from Substance and Scion Versions, with a live set from Sleeparchive.

Superb, revered version-excursion in the grand tradition of Tempo Explosion. Willie Williams kicks off imperiously, on a classic Rhythm & Sound rhythm adroitly evoking Niney’s way with horns. Sugar and Tikkiman take a turn, besides Berlin faces like Cotton and Rod Of Iron. No one puts a foot wrong.

The ineffable instrumentals and dubs of Burial Mix numbers 6 to 12.

See Mi Yah remixes. A triumphant series finale.

A brilliant, taut take on vintage Wackies, there on the flip.

Their epochal 1997 masterpiece inaugurating the Rhythm & Sound label.
Half an hour of judge-long-sentence steppers.
A stone masterpiece of modern dub, towering over the field till kingdom come.