Ayler at his most intense, with Sonny Murray and Gary Peacock in Copenhagen.
This is the 1964 recording entitled Ghosts for its original release on Debut.

‘The AS Colour Heavy Faded Tee, crafted from 100% carded cotton for durability and comfort. With a heavy 240 GSM weight and garment dyed finish, it features a boxy relaxed fit, dropped shoulders, and twin-stitched wide neck ribbing.’
Click through the image for a size guide.

Top-quality AS long-sleeve tees, expertly printed. The colours zing.
‘Heavy weight, 240 GSM, 16-singles, 100% carded cotton. Dropped shoulders, side neck ribbing with twin stitching, cuffed sleeves, side seamed, shoulder to shoulder tape, double needle hems, garment dyed, preshrunk to minimise shrinkage.’
Relaxed fit; very generous sizing. Click through the image for a size guide.

Beau Wanzer and Shawn O’Sullivan.

Available on vinyl for the first time in forty years, Horace Tapscott’s burning, spiritualised 1978 set is a masterpiece of the Los Angeles jazz underground.
It’s drawn from two studio sessions in April 1978, one at Hollywood Sage and Sound, one at United Western. The latter session added a string section, which can be heard on the moody Cal Massey composition Nakatini Suite and Jesse Sharps’ swinging modal trip Peyote Song No. III, with its swirling soprano solo. In keeping with the communal nature of the Arkestra, the other two compositions, The Call and Quagmire Manor at Five A.M. are also by Arkestra members. But at the centre of the music is the builder of the Ark, the visionary whose original call to action started a movement whose legacy continues to this day — Horace Tapscott.
180g audiophile vinyl in a painstakingly reproduced sleeve.
Heed The Call!

Stone killer Californian funk from 1972, raw and banging, with juddering bass, two tough breaks, and desperately soulful, utterly compelling falsetto pleading.
A proper reissue this time around, courtesy of Ubiquity.