Their third LP; generally considered their best. From 1970, with the military crackdown in full swing, and Caetano Veloso and Gilberto Gil already in exile.

‘Dreamy musical segments, fleeting glimpses, odd sounds, temple shrines, decay, death, afternoon rains, and mysterious celebrations… from the Irrawaddy delta to humid nights on the streets of Isan province.’

Amazing, psychedelic, engagé afro-disco from the same milieu as William Onyeabor, with Gaspar Lawal on percussion. Very warmly recommended.

Beautifully direct Wassoulou songs by the twenty-year-old accompanied only by N’Gou Bagayoko on acoustic guitar.

Starkly intimate, utterly captivating early recordings by this wonderful Malian singer. Voice and acoustic guitar only; as if you were the only person in the room.
The sound has been brilliantly restored by Awesome Tapes, for its fiftieth release.
Achingly beautiful music; hotly recommended.

Instrumental music from the north: like the hunting bow, made from wild vine and the tendon of an antelope, struck with a stick or a porcupine spine. One end goes in the performer’s mouth, which makes a resonator.

Deep, vibesing, rootical excursions in Brazilian percussion, especially berimbau; originally released by Saravah in 1973.
Newly remastered from the master tapes; gatefold sleeve.
Fabulous.

Music for a ballet telling the life of of a daughter of a black slave, recorded in 1974 by the likes of Nana Vasconcelos, Joao Donato, Paulinho Jobim, and members of Som Imaginario; and containing the definitive versions of some of MN’s most iconic songs, including Os Escravos De Jó and Maria Maria.
‘Sheer beauty’ (The Guardian). ‘You don’t need to understand a word to realise that this is awesome music’ (Time Out).

Two teenagers’ amapiano music from Gauteng province in South Africa, drawing on jazz, folk, afro, deep and tech house, kwaito, and dibacardi… but sounding like none of them.

‘From the trios of pianists Kyle Shepherd, Bokani Dyer and Yonela Mnana, to the genre-defying exploits of guitarists Vuma Levin and Reza Khota; and from artists inspired by age-old traditions, like Lwanda Gogwana and Mandisi Dyantyis, to the cosmic explorations of Siya Makuzeni, Benjamin Jephta, Thandi Ntuli, Zoë Modiga and Shane Cooper’s Mabuta’  — Johannesburg label Afrosynth rounds up some of SA’s most talented young composers and bandleaders, as well as a wider cast of supporting musicians.