The guitarist recorded at Oliver Sain’s St Louis studio in 1969 — but the best stuff here isn’t funk, it’s a kind of shimmering, limber, spare steppers. With organ and a second, rhythm guitar, and one Paul Jackson on bass.

Thrilling double-bass improvisations.

The great tenor saxophonist’s two 1961 albums for Contemporary — with stellar West Coast sidemen like Art Pepper, Phineas Newborn, Frank Butler, Frank Rosolino — showcasing singer Helyne Stewart on the first.

Created in collaboration with Walter Branchi from the Gruppo di Improvvisazione Nuova Consonanza, this soundtrack to Mino Guerrini’s 1968 film is among the most strikingly experimental of all Macchi’s music for cinema. A suspenseful, jet-propelled fresh mix of
psychedelia, jazz, and improv, threaded with beautiful melodies.
The first time out; from the master tapes.

Crucial, preposterous David Axelrod!
Composed and arranged by the maestro, a psychedelic garage-rock opera, sung in Latin, with Gregorian chant, pipe organ, lashings of fuzz guitar, strings and horns.
A version of the opener Kyrie Eleison famously featured in the soundtrack for Easy Rider, accompanying several scenes.
This definitive reissue was mastered by Kevin Gray using the original tapes.

Top-notch, funky, eclectic jazz singing.