Terrific, uproariously outernational LP from 1969, with Roy Brooks, Kenny Burrell, Blue Mitchell, Hugh Lawson, Sonny Red, Bob Cranshaw, and a very young Cecil McBee. The Sweet Inspirations are in full effect. Besides tenor and flute, Lateef plays bamboo and pneumatic flutes, tamboura and koto.
There’s a rocking blues (Othelia) and a Japanese freakout (Moon Cup). Back Home is a modal wig-out. The soulful eastern sounds of Like It Is are essential Lateef.
A gorgeous reissue of his first LP, from 1957; with Curtis Fuller, Hugh Lawson, Ernie Farrow, Louis Hayes, and Doug Watkins. Beefy, alive, and exploratory, with Lateef’s Eastern trajectory flagged already, in the thrilling argol introduction to the opener, Metaphor. On the flip, Morning is ravishing, unmissable Lateef.
Recorded during a 1983 stint teaching at Ahmadu Bello University in Zaria, northern Nigeria. ‘Lateef leads a nonet of African musicians in seven compositions that fuse his deep blues and jazz roots with native Nigerian instruments, drums and chants. The sounds stretch from meditative and melancholic to urgent and unrelenting.’
Warmly recommended.
Characteristically brilliant ebullience from the Art Ensemble trumpeter in 1974, with John Hicks (doing Hello Dolly as a duet), John Stubblefield, bro Joseph Bowie from Defunkt, Julius Hemphill (on Ornette’s Lonely Woman), Bob Stewart, Cecil McBee, Jerome Cooper, Charles Shaw and Phillip Wilson.
Mono.
Terrific stuff from the 1978 Antico Adagio sessions.
‘*****’, The Times, Independent On Sunday, Daily Telegraph, What’s On, Evening Standard, The Independent. ‘Marvellous pop — catchy, fun, young, effortless’, The Times; ‘one of the delights of the age’, Songlines.
‘an exquisitely poignant, evocative record’, Daily Telegraph; ‘wonderful… album of the year’, Sunday Times; ‘simply a classic album. Music by the people, for the people,’ The Voice.
‘superlative’, Mojo; ‘sensational’, The Observer; ‘hugely evocative and poignant’, Daily Telegraph; ‘*****’ The Times, Metro; ‘sheer joy from start to finish’, Sunday Telegraph.