Twenty-three Errol T dubs of Joe Gibbs hits released between 1980 and 82, at the start of the dancehall era.

Very early Glads, from 1967, seemingly pre-Albert Griffiths — and a killer Tommy McCook instrumental. Both previously unreleased Duke Reid productions, when Trojan was properly trojan; by way of Japan.

Sweet rocksteady — expertly arranged, with boss guitar, horns and harmonies.
“We’re going to put it on… we are loaded… (long pause)... with soul music.”

Moving, skilfully epistolary song-writing from inside the belly of Apartheid.
Killer rhythm, to boot.

Tremendous.
High-drama, dubwise Channel One, with deadly guitar and congas, and fatter-than-Fat-Albert trombone.

Very nice, evocative mixture of ska, meringue, swing and co, from 1960, suited and booted by Dub Store.

OG had been a UK-resident for five years by the time of this Brenton Wood cover, recorded here during the Soul Vendors 1967 tour. (One night Jimi Hendrix was the support.) A Procul Harem on the flip.

OG breathing in and going deep with the Chain Smokers in 1976, for Clem Bushay.
Also featuring Trinity and Dillinger.
Rough, early-Pablo vibes. Terrific.