Deeply zonked and moody variation on The Abyssinians’ classic, with a wicked blend of kit and machine drums. Rough.

With Culture.

Further excursions on Black Oney’s Jah Jah Send The Parson rhythm. Far I rides a stripped dub (originally for a Carib Gems LP); the straighter Oney return was first released in a tiny run of blanks.

The commanding, concussive first LP of the Voice of Thunder, from 1976, chanting psalms and prayers over tough Lloydie Slim productions, mostly with the Aggrovators. (Plus a seemingly random Upsetters rhythm.)
‘Those who have ears to hear, let them hear.’
It’s a must.

A previously unreleased mix of the great man toasting over a one-away Satta excursion, for Lloydie Slim; and a previously unreleased dub.

The alluring, mystery female vocalist here is cool and deadly amidst the mayhem, beside a tasty harmonica lead. Nice bebop saxophone, too, on the flip.

Angry, tear-up digi, both sides.
Two scorchers from 1989; blazing out of Annotto Bay, on the northeastern coast of JA.

Two great sides: MF in fine sufferers style on a flinty Roots Radics version of No More Will I Roam (though you can’t refine Niney); and a vibesing Rockfort Rock from Ranking Joe, on the flip.

This classy lovers was Sharon’s breakthrough, fronting the Now Generation band for Geoffrey Chung in 1973, in an achingly regretful Armstead / Ashford / Simpson song about female disillusionment (laid waste by Cilla Black the previous year).