Ace Ken Khouri productions for Federal, from 1964-5; beautifully repackaged.

Toddler at the control tower, over heavier-than-lead Roots Radics. Scientist cuts the dub right back to the bone.

Ain’t no house like Waterhouse for Black Crucial, Anthony Johnson, Junior Reid and co.

Lovely, mystical, incantatory, roots singing over a deep, knock-off-Rhythm-&-Sound rhythm.

Melting, copybook Lovers Rock from 1977.
Willie Lindo, Harold Butler Robbie Lyn and co at Federal. Marcia Griffiths on backing vocals. A classy Waiting In Vain.

Recorded at Bullwackies just weeks apart from Horace Andy’s Dance Hall Style: two of the very greatest vocal reggae LPs of all time.
Between stints in JA for legends like Glen Brown and Junjo Lawes, WJ commuted to the Bronx from Connecticut. With Clive Hunt in full effect, Showcase follows the six-track dubwise format of Dance Hall Style (Wayne never sounding more like Horace), including four utterly lethal Studio One versions — Azul’s killer Rockfort Rock, Sleepy’s Every Tongue (with outrageous Isleys fuzz), yet another Wackies’ Heptones via Leroy Sibbles, and a murderous Drum Song.
Hotly recommended.

Anti-war deadliness — stripped, direct, heartfelt, with a murderous dub, mixed by Phillip Smart at King Tubbys.

Stone classic. Stuffed with monster Lee Perry rhythms like War In A Babylon.

The first decent compilation of these Clement Bushay productions.
Downright crucial Jazzbo like Step Forward Youth and Every Nigger Is A Winner.

Sweet, implacably socialist lovers, re-phrasing the Still Cool classic beloved by Shaka (and its metrical debt to Jah Jah See Them A Come).
Produced by Adrian Sherwood; with George Oban from the original Aswad crew, playing bass.