Heart-broken, body-rocking, mid-tempo ska. Ace.

A new label from Stefan Schwander (out of Harmonious Thelonious) and his mate, cooked up during their deejay sets at the Salon Des Amateurs in Dusseldorf.
Johenson chips in an infectious, glitchily dubwise, somewhat sacrilegious crossing of ska and Rhythm & Sound.
On the flip, Leroy Versions clops squelchingly East, bleeping and bubbling, with minor keys and stately, trombone-led brass.
Good fun and beautiful looking, too.

Tearaway call-and-response vocal ska, rare and deadly; with a killer Baba Brooks.
Top-notch Japanese presentation.

JING-BANG, n. Also jin-; ging-bang; jabang. A considerable number. Gen. in phr. the hail jin(g)-bang, the whole lot, company, concern, affair. Also used attrib. and contemptuously — a worthless collection or lot (Uls. 1924 W. Lutton Montiaghisms 24, Uls. 1947).
Wgt. 1880 G. Fraser Lowland Lore 172: ‘Ye maun ken that the haill jingbang o’ them’s as Eerish as Rosy Monahan.’ Sc. 1892 Stevenson Wrecker xviii.: ‘He was the only one I ever liket of the hale jing-bang.’ Ayr. 1901 G. Douglas Green Shutters xiv.: ‘We’ve got the jing-bang lot if we’re quick.’

Trodding on, over this excellent, propulsive, clattering rhythm by Nathan Skyers and Richard Brown. Previously unreleased.

Total murder.
With a precious instrumental version.

Three excellent, diverse vocal excursions on a heavy, mid-eighties, Channel One-style rhythm by The Gladiators Band. The dub follows Frankie.

A double-header, with Prince Allah reviving the Melodians on the flip. Both extended. Mixed by Prince Jammy.

Tasha and Channel One productions, newly corralled, with three stone exclusives. The highlights are an FJ duet with Michael Palmer retrieved from dubplate duties, and from the Riders a next version of Youthman Invasion and a trigger-happy Illegal Gun. Wonderful photos by Beth Lesser and Syphilia Morgenstierne.

Killer UK lovers. Jeniffer Redman at the mic; Jah Bunny at the controls. Bubbler worries.

The Upsetter’s imperious do-over of the almighty Skylarking rhythm, featuring himself alongside Winston Blake at the microphone, berating people for having fun in public. (‘Sylvester the jesterer from Manchester’, you know who you are.)
Contrastingly backed with Jimmy Riley in a sombre mood, c&w soul style, over a bare-bones reworking of the People Funny Boy rhythm.
Unmissable, obviously.

JB is the name the deejay Trinity uses when he sings. Here he is, nailing a sombre, mid-tempo bubbler for Sly and Robbie; alongside General Lee, laid-back and entertaining on Unmetered Taxi. Classic, rootical, early-nineties rubadub.