Killer UK lovers. Jeniffer Redman at the mic; Jah Bunny at the controls. Bubbler worries.

JB is the name the deejay Trinity uses when he sings. Here he is, nailing a sombre, mid-tempo bubbler for Sly and Robbie; alongside General Lee, laid-back and entertaining on Unmetered Taxi. Classic, rootical, early-nineties rubadub.

Buoyant anthem to ghetto people boutiques.
You can get anything on Princess Street, ‘from a pin to an anchor… Just have some cash, and you will conquer.’ Not like Orange Street, which is always getting shut down by plod.
Transfixingly stone-faced dub, for all hard-core Channel One massive.

A kind of Dennis Brown / Studio One cut-up. Written by Junior Brammer and Jah Life, according to the label. Talk about taking it easy.

‘Away with your fussing and fighting, away with your hypocrite system.’
A masterful Pablo production, sprinkled with Black Ark magic, finetuned by King Tubby; searing Delgado.
A rebel-rock masterpiece.

Extended, with dubs.

Tough, ringing digi, with a sick bass-line entirely lost on computers.

Heavyweight killer Late Night Blues excursion, with King Tubby.

The same super heavyweight rhythm as Open The Gate Bobby Boy and Noel Phillips’ Youth Man… not forgetting the deadly Brixton Incident 12”, by Roy Rankin & Raymond Naptali.
Junior is playful, maybe a little dazed. The dub is killer; cavernous and moody.

Upful, late-eighties singjaying, with nuff namechecks and squiddly diddlies, over a crisp, bustling rhythm.

Excellent rock steady from 1966, with nothing much to do with the Lion of Judah; and a lush, tropical Tommy McCook, with nothing much to do with James Bond.

Re-formatting the 1984 Island 10”. Sly and Robbie runnings, with Trouble You A Trouble Me and World-A-Music.

The Blues Buster showing his gospel roots in this superb, soaring version of the Sam Cooke, with support from Bobby Aitken and the Carib Beats.
Backed with some bumptious ska, led by Val Bennett.

Heavy, heavy early-eighties roots, mixed by King Tubby.