‘Masterful arrangements, inventive rhythms, rich harmonies, and a perfect balance of flute and saxophone interplay. Funk, Jazz, Gospel, Afro, and traditional elements all merge seamlessly into something unique and timeless.’
“South African spiritual funk gem. slick guitar, banks of horns” - Chris Albertyn (Matsuli).
“Dynamic South African funk. An album that will make you want to dance from start to finish” - Franck Descollonges (Heavenly Sweetness).

Classic, jazzy, funky zouk, from Guadeloupe.

Earl Morgan and Barry Llewellyn joined by Naggo Morris in 1978, with the genius engineer Sylvan Morris and the mighty Niney the Observer at the controls, and a crack band featuring Sly Dunbar. Every Day Life and Mr. Do Over Man Song are crucial, tip-top Heptones.

This expert drummer spent long stints with Archie Shepp and Sam Rivers; and he’s played with scores of other jazz greats, like Mal Waldron, Charles Tolliver, Yusef Lateef, Billy Harper, David Murray, and so on. He toured Europe with Marion Brown in 1977 — recording La Placita live in Willisau — and the following year cut Wooley The Newt for the saxophonist’s Sweet Earth label. His son Makaya sampled it recently on We’re New Again, his Gil Scott-Heron rework.
Free, grooving, spiritual jazz. Check it out.

Combining two BBC Radio sessions, recorded at Maida Vale Studios in 1973 and 1978, with Norma Winstone, Henry Lowther, Art Themen, Tony Coe, and the gang.
Eight Garrick originals, including favourites from the Troppo and October Woman LPs, and an early, first showing for River Running and Galilee. Robin’s Rest only appears here.
‘Fabulous,’ says Record Collector.

Her debut as leader, a year after John’s death, with Pharoah Sanders, Jimmy Garrison, Ben Riley and Rashied Ali steeply conjuring an ecstatic blend of JC and Bud Powell, blues, gospel and free jazz, trained unflinchingly on Nature and Truth, witches and devils, the Mystical and the Divine.
Tremendous music — deeply rooted, rawly searching, still thrillingly uplifting.
‘Verve By Request.’

Kicking off with a definitive, thunderous, thrilling version of the title track; with Lee Morgan and Wayne Shorter.
‘Classic Vinyl’ series.

Ace hard bop from 1967, elegantly alternating bluesy with modal. Cedar Walton, Billy Higgins, and the excellent Sonny Red. The title track is extended, sultry and grooving; and there’s a version of the dancer Book’s Bossa.

With Pharoah Sanders, Henry Grimes and Ed Blackwell, in 1966.
‘Sanders’ mix of Coltrane’s yearning long notes, Ayler’s ghostly, fluttering wail, Coleman’s fast, bumpy phrasing and his own manic bagpipe screams certainly separates the faint-hearted from the stayers on the opening Awake Nu. But the conversation between Sanders and Cherry is light, lyrical and engaging on The Thing, and the saxophonist even gets into a stubborn, Sonny Rollins-like repeating Latin vamp on There Is the Bomb. An unflinchingly quirky classic’ (The Guardian).