Your basket is empty
1961 session with Pepper Adams and Herbie Hancock. Kicks off with I’m An Old Cowhand… always a winner.
With Freddie Hubbard trumpet, Herbie Hancock piano, Ron Carter bass, Joe Chambers drums. 1965. Miles Smiles kind of thing.
From 1961 — with Fred Jackson and Grant Green.
His first session for Blue Note, with a killer lineup: Sonny Clark, Lee Morgan (just nineteen), Doug Watkins and Art Blakey.
The bluesy Nutville and latinized Minor Move are Brooks originals. He takes a jacking reading of Jerome Kern’s The Way You Look Tonight for his own. Star Eyes is borrowed from Bird, showing off Lee Morgan, with a magical, inimitable solo by Sonny Clark.
With Blue Mitchell, Lonnie Smith, Jimmy Ponder and Leo Morris (aka Idris Muhammad) in 1967. Peepin’ steals the show.
Amazing lineup — and a cool reworking of Watermelon Man.
Anthony Williams, Chuck Israels, Grant Green, Grachan Moncur, Hank Mobley.
With Herbie, Joe Chambers and bassist Albert Stinson in 1967 (after Happenings). Smart, swinging, affective stuff. Theme From Blow Up gets a good seeing to.
Still sealed.
Stretching out in 1965, with John Gilmore, Joe Chambers and co, two extra percussionists, and two bassists on one track. Abstract, fierce, textured, compelling.
TW’s first Blue Note session was The Jody Grind. His debut as leader, at 23, Natural Essence is a winning mid-sixties set of his own compositions. Post-Trane dancers, jams; some lovely tunes. Woody Shaw, too.
We ship worldwide. The postage rates for your order are displayed before payment, which is processed using Paypal. You can pay using your Paypal account or any of the following cards. No need to join Paypal.
