‘With Touch, the Tortoise bandmembers — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding, a puzzle to be savored rather than solved.’

With Gary Peacock and Jack DeJohnette, live in 2001 — this trio at its peak — kicking off with a Cole Porter and closing with a heart-rending solo piano reading of It’s All In The Game.

A quartet session, with Jan Garbarek.

Live in Brazil, April, 2011. ‘At his most exuberant… it’s a must’ (The Guardian). ‘Beautifully structured, jazzy, serious, sweet, playful, warm, economical, energetic, passionate’ (KJ. His mum likes it, too).

With Jan Garbarek, Palle Danielsson and Jon Christensen at Tokyo’s Nakano Sun Plaza in April 1979.

Live in Juan-les-Pins, 2002, with Peacock and DeJohnette, with two Miles’ and Autumn Leaves magnificently revisited.

With Gary Peacock, Jack DeJohnette.

Enjoyably odd, wrong folk rock with baroque touches, from 1968. Jarrett plays everything — guitar, harmonica, soprano saxophone, recorder, piano, organ, electric bass, drums, tambourine and sistra — adding a string quartet here and there. He also sings, though it’s better when he doesn’t. Nearly all the tracks are two to three minutes.

‘A spontaneous solo suite interspersing touches of the blues and folksong lyricism between pieces of polyrhythmic and harmonic complexity… one of his very finest performances. An attentive and appreciative audience hangs on every note, every nuance, and is rewarded with some tender encores including a magical version of It’s A Lonesome Old Town.’

With a Nitty Gritty dubplate do-over of Trial And Crosses.

Thumping soundboy frightener from 1987, with nice Eastern flourishes.