Second, 1982 album by the loose collective, featuring Prince Far I, Bim Sherman and Jah Woosh, and members of the Roots Radics, Slits and Glaxo Babies. ‘Heavy dread vibes, earthquaking dub and classic deejay chatter, recorded in the flash, heat and studio experimentation of post-punk London.’
With a 24” x 12” fold-out poster insert and digital download card.

Including a killer mix of Homeward Bound, the Creation Steppers’ blazing update of The Skatalites’ Confucius; a heavy Spear and a heavier Fred Locks (with Reggae Reggae Sauce rocking the mic).

Killer roots detournement of Georgia Turner‘s dread blues about a New Orleans brothel, to the tune of a seventeenth-century English folk song, by way of Bob Dylan, Nina Simone and The Animals.
Bunny Gale revives another folk song on the flip — Dead Man’s Chest — via The Viceroys’ classic Studio One outing.
More crucial Keith Hudson runnings, courtesy of Dub Store in Tokyo.

On a bubblers rework of Mudie’s Love Without Feeling.

A late-eighties Bunny Lee production originally released on the Imperial label in Canada, with Rhythm Twins excursions on Death In The Arena, Love Me Forever, My Conversation, Roots Natty Congo, Storm…

Three the hard way — the Don at the mic, Roots Radics, Scientist — in the early eighties. Previously unreleased.

Blazing start and great delivery, but rather treading water over killer late-80s digi.
Same vintage as his massive Dangerous hit for Redman. Not to mention the more voluble Don’t Touch The Crack by Dignitary Stylish.
Zinging with raw dubplate-style presence, like the other two 45s on this rhythm.

Trump-card trumpet version of Joyride, aka Riding West.