Beautifully sung protest against police violence, over a tight Jammy’s rhythm, from the same period as Folly Ranking.
With an alternative mix, and two dubs, foregrounding the brilliant drumming.

Mixed by Ossie Hibbert, originally on Cash And Carry — mostly the dubs of Gregory’s Mr Isaacs album, with the Revolutionaries.

Party music for sufferers, Count Ossie style: deep, spiritual and hurt, but still up for it.
Plus a sensational nyabinghi version of Miriam Makeba’s massive Pata Pata, with Patsy pon mic.

Sublime vocal harmony roots. Pure Abyssinians manners.
George Wright and the boys cut one of our favourite Lovers a few years later… Secret Admirer.
Killer.

Chilled, elevated, hypnotic, move-on-up grooving, out of the Miami reggae underground.
“I know how / to milk a cow.”

The classic digital destroyer, recorded at Aquarius in 1987.
Cyaan be no loefah.

Excellent dub set originally released in 1988, based around Tetrack’s classic Let’s Get Started LP, from nearly a decade before. Roomy and reverberating, with synths preferred to melodica.

Classy digi dub from 1987 — the living, but chilled and de-populated Pablo sound-world — with killer dillers like Raggamuffin Year and Seven Seals on the desk.

Cutting his teeth at Impact! with Clive Chin.
The Heptones, Dennis, Swing Easy; an unforgettable lesson in dub, over the killer Ordinary Man rhythm.
‘Leave the studio, sah!’ ‘Leggo dat an hold dis.’ Listen everything.’
Crucial crucial crucial crucial.