Magnificent do-over of Dennis Brown’s classic Foot Of The Mountain. A TG Binns production from mid-seventies New York. Murder.

Deadly, dubwise space disco by the Gaylad — a version of The Earons’ Land Of Hunger, hauling it from Compass Point in the Bahamas, to downtown Kingston, Jamaica.

Late-eighties Callo Collins production of the Youth Promotion cohort.

Aka Olive Grant — the same Senya who broke through at Randys in 1974 with Oh Jah Come and Children Of The Ghetto — with The Wailers backing.

This beautiful acoustic cut is previously unissued. Raw soulful lovers, with close-harmony backing, and double bass and guitar as irresistible as Egyptian Reggae. Terrific.

Anthony Maher’s 1988 dub album, an Australian commingling of JA science and UK post-punk and Industrial.

Gospelised roots, produced by Delroy Collins in the late 1990s, with mixes by the Disciples.

Excellent mid-seventies roots by this singer from Jack Ruby’s Hi Fi.

Scientist, Roots Radics.

Second, 1982 album by the loose collective, featuring Prince Far I, Bim Sherman and Jah Woosh, and members of the Roots Radics, Slits and Glaxo Babies. ‘Heavy dread vibes, earthquaking dub and classic deejay chatter, recorded in the flash, heat and studio experimentation of post-punk London.’
With a 24” x 12” fold-out poster insert and digital download card.

Over to Digikiller…
‘Howard ‘Sir Tommy’ Mapp is one of the original guard of New York sound men, playing sound system since 1974. Around a decade after that, he began producing for his newly formed label of the same name. Later in the 1990s he established his own studio, which became a hub of the city’s dancehall scene. In true independent fashion, Tommy covered nearly every aspect of the reggae business himself, like Wackie’s, Jah Life and Philip Smart. We’re proud to finally present the first reissue of the early gems in Tommy’s catalogue and make some more classic New York reggae accessible again. So what better to start with than a new compilation, 100% heaters, culled from long unavailable singles and albums. We cannot recommend this record enough, as Tommy’s early production output mainly falls in two of our most beloved categories — the mid ‘80s sound of Channel 1 as played by the Gifted Roots Band, and the late ‘80s early digital sound. This LP is packed with prime cuts of just such music. Absolutely essential stuff for 1980s reggae heads.’