Fab Phang chugger. Barrington kills it; grooving dub.

From the Life Style LP, produced by Alvin Ranglin in 1981, where it’s entitled I Hold The Handle. The lyrics re-purpose The Heptones, drawing its male-vs-female venom. Barrington’ superb singing luxuriates in this restrained, mid-tempo setting.
Plus dub.

Ace Barrington, from the Englishman sessions; with a concussive Scientist dub.

Another all-time eighties classic.
A lovely song, over a do-over of Dennis’ Revolution rhythm, with Sly & Robbie in the mix.

Prime, early-eighties Barrington, expertly fronting chunky Radics on rhythms like The Russians Are Coming and Get In The Groove, in Scientist mixes. No losing with those cards.

All-time rocksteady murder.
The flip’s killer, too. ‘I don’t want no trouble now, no, no, no.’

Trilbies off to the herb superb — with a rocking backbeat, from 1966.
Nice bass on the flip, too — strong, minor-key storybook-soul.

Ishu and Xylon from Sound Iration, produced by Manasseh for Youth Sound in 1990. Quality digi UK steppers, with a nice melodica version, and a hollowed-out dub.

‘... compelling and eccentric mix of lopsided funk, freaky jazz and African disco, which gets through more rhythms than some people hear in a lifetime’, Time Out ; ‘***** pure bliss’, Kevin ‘The Bug’ Martin, Muzik.

Terrific, resilient, rootical lovers, with backing by the Revolutionaries, recorded in the late-seventies by Sonia Pottinger for Sky Note. The same rugged rhythm as Clifton Campbell’s
A New Civilisation, devastatingly contrasted with the sweetness and vulnerability of the singing.

The legendary digital destroyer in all its original glory, including the dub; and another murderous King Culture unveiled — soulful and limber. A double-headed ronto from Toronto. Killer.