An expert sampling of the original Studio One dub LPs, plus a couple of wild cards.

His first solo LP, from 1973, brilliantly produced by Willie Hutch. Highlights include three killers: the sublime, expansive, funky protest of Just My Soul Responding; the achingly beautiful Sweet Harmony; and The Family Song, a two-step classic.

‘We ended with those two versions of Cham, which are as often when I work with the Sex Tags man the result of live takes almost unedited. We also add some percussions from Shadi Khries and we recorded two versions of the same track within hours. One being bass driven with a lot of psychedelic noises and the other one more space-techno. Our adventures continues. Here is another slice of spaced out music. Hope you’ll enjoy.’

Ruff, mid-seventies Nairobi funk by Tanya Ria — aka Rachel Wanjiru — and the Trippers.
Althea & Donna, Lijadu Sisters vibes.

A deep, atmospheric, careering groover from Gerard Hanson, remixed by ERP into thrilling, futuristic electro. Ace.

‘The groundbreaking debut album by legendary Nigerian percussionist Gasper Lawal, originally released in 1980 on his own label CAP.
‘Lawal meticulously self-produced, composed, and overdubbed the album over four years, assembling an elite group of musicians from both Nigeria and the UK. Several of he instruments used were hand-built, including a powerful one-of-a-kind drum carved deep in the Nigerian bush. “This music is not about trends, about what is commercial or a “sound” of a particular moment,” explains Lawal, “it is about music to be felt, that gives pleasure. It is nurturing and meditative.”
‘Spiritually resonant, rhythmically rich and genre-defying,’