Invoking The Delfonics’ Do You Remember, and flipping its melody the other way around. Recorded at the Damon Studios in Kansas City (owned by Victor Damon, inventor of the spring reverb).

Classic soul sides rewound as state-of-the-art dance music: brilliant, epic house; hard-funk breakbeat.

Private-press gospel boogie from Michigan band Cash Money, featuring full brass and vocal harmony. Plus some ace, synthy, slap-bass, choral gospel soul from Ricky Womack in 1990, in the tradition of the great DJ Rogers.

‘It’s always summer somewhere, but especially so wherever Cheryl Glasgow’s carefree clubber Glued To The Spot gets a spin. An absolute ear-worm from the opening strums, Glasgow’s Sade-adjacent, jazz vocalese sweeps into a warm up-tempo groove, never breaking sweat. Issued on Ross Anderson’s short-lived, London-based Live label, Glued To The Spot swept through the club scene briefly in 1987, embarking for warmer shores when the season changed.’

Fiery, head-banging deep funk by this Louisiana guitarist; originally out on Eddie ‘Goldband’ Shuler’s ANLA label, in 1967.

This time coupled with an unedited version of his crossover modern dancer It’s No Mistake.

Arthur Russell’s 1978 disco smash for Sire Records, in collaboration with Nicky Siano, deejay at The Gallery in New York.
Wilbur Bascomb plays bass… Allan Schwartzberg, David Byrne, Miriam Valle, Peter Gordon, Peter Zummo… Arthur plays cello and piano.
Remastered from the original tapes. With liner notes by Peter Gordon, Peter Zummo and David Byrne.