This is the sublime, eleven-minute version, featuring vocalist Gavin Christopher.
Big Theo Parrish record.
Backed with the promo-only disco mix of Saturday Night, lavished with percussion by Sheila E.
Murders.

Hank Jacobs was an accomplished West coast keyboard player, who smashed it with So Far Away in 1964.
One of his four releases on Alton Scott’s LA-based Call Me label, the slamming Elijah Rockin’ With Soul is a Northern favourite; whilst the more sophisticated, cool, sunroof-down East Side is a Popcorn and Lowrider go-to.

The superb bebop pianist versioning the Jackson 5 — from his Greasy Kid Stuff LP in 1970, with Idris Muhammad, Lee Morgan, Hubert Laws and Buster Williams.
Sister Janie by Funk Inc on the flip — with James Brown’s Sex Machine its point of departure.

Two disco classics — Groovin’ You’ and Till You Take My Love (with Merry Clayton) — and the blissed-out jazz-funk of Modaji, featuring Hubert Laws.

Leroy Burgess & The Fantastic Aleem Brothers.

This guitarist was a long-time mainstay of the B.B. King band.
His one single for Kent Records came in 1973, in its last days.
The A-side is a driving James Brown-style funk dancer, with tumbling horns; featuring Johnny Adams. That’s organist Earl Foster igniting the flip.

Her 1982 collaboration with Roy Ayers — classic disco boogie. One side is a full vocal; the other a flute-led instrumental, beefed up for the dancefloor by Ayers, at the mixing desk .

Crucial Arthur — with a deadly Walter Gibbons mix.