Two antenatal hours of rare and unreleased recordings — from Jimmy Jam extroversion to Andre Cymone’s bedroom demos — with Prince’s head showing from the off. A 144-page book, in fine Numero style.

Sublime soul and funk by the Cleveland legend, 1967-77. Including the LPs Hot Chocolate and Understand Each Other, rare-groove holy grails; plus an unreleased live album.

Choice sides from the recent LP reissue.

Legendary Harlem soul and funk from 1973 — the RAT was the house-band at the Apollo —  with bags of lo-fi charm and sublimated Isaac Hayes to its ‘unabashedly sincere songs that perfectly encapsulate the era’s heady milieu of black pride and cultural awareness, and the plaintive emotion of struggling to realise dreams whilst navigating a city and neighbourhood in decline.’
Painstakingly prepared according to the remit of this series; with excellent notes.

Representing every Chess artist recording at Muscle Shoals, 1967-69. The likes of Etta James, Irma Thomas, Laura Lee, Bobby Moore and Mitty Collier, in the era of the studio’s second great rhythm section, the Swampers. Plenty of unfamiliar glories, and throwing in three instrumentals by Charles Chalmers and crew.

Not disco at all — rather a fully rounded excursion into mid-70s dancefloor funk and jazz-funk, by an orchestra of crack NYC musicians originally known as the Smokin’ Shades Of Black.
Like previous Jazzman revives by Sounds of the City Experience and Ricardo Marrero, this reissue saves from obscurity some wonderful music wilfully squandered at the time in the service of tax scamming. The booklet tells the full story.

Mr Pitiful at his most powerful, with the MGs in 1965.

A testament to the impeccable taste of the greatest soul singer of all time — mostly big names and classics, rounded off by gospel giant Clara Ward, and the song Aretha sang at her funeral.

Killer deep soul from Louisiana.