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From 1971, contemporary settings of Handel, illuminated by psychedelic guitar, flute and electric piano, and a break-happy, funky rhythm section. Carol Kaye plays bass; Cannonball Adderley conducts the 38-piece orchestra (fresh from his own Black Messiah sessions). The gospelised choral sections carry the swing, as seems right.
His third RCA LP, from 1976, is the most soulful and laid-back, with groovy Marvin and Stevie covers, and the two-step killer I Love You. Don Blackman on lead vocals, Mchael Brecker leading the horns.
Don’t miss this late set, from 1966, inspired by an orchestra tour of India, Sri Lanka and the Middle East. With the out-and-out Strayhorn-Ellington masterpiece Isfahan.
Brand-new, pedigree r&b. Perforce nostalgic — heavy on the Paisley, dense like P-Funk, ecstatic like MPG — but a warmly recommended return.
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