Tough NYC digi excursion on the E20 rhythm.

The unmissable first outing of this wonderful song; recorded for Sonia Pottinger in the early seventies. A little way different to the all-time-classic Channel One version, but a round-one knockout on its own account.

The great singer loud and clear over a moody live-digital rhythm, laid down at Aquarius in the mid-eighties.

Gripping, up-in-your-face account of the story of Judas. Full-on Keith Hudson roots.
And an unmissable nugget of flute-led JA funk, by the Soul Syndicate, on the flip.

Sweet, heavy lovers, with Perry’s genius touch, from early 1978 — concluding the singer’s illustrious accomplishments at the Black Ark, recently including backing vocals on Chant Down Babylon Kingdom, for Yabby You, Travelling, behind Deborah Keese, and the classic Freedom, under his own name.

Earl Sixteen over two moody Channel One rhythms, around 1984; both with serious dubs, all previously unreleased.

Hymning the power of reggae, over a re-licked, surging Conquering Lion, with worrisome Tubbys bass. The dub is here.

From the Black Ark; a local hit in 1975. Clarke’s tale has the hapless, resilient innocence of Buster Keaton. Nice, basic melodica. The production is credited to Mike Johnson — who also stumped up for I-Roy sessions at the Ark around this time — but the rhythm and dub are Upsetters through and through.

‘Yes we nice, yes we nice… Hold them, music, hold them, yes, we control them… no we nah go let them stray.’ Dancehall manners — on the rhythm Delgado used for Rasta People — as clinically murderous as all-time EJ hits for Jammys like Rock Them One By One and Turn Up The Heat.