Same tough Radics rhythm used by Al Campbell for Fight I Down. Gotta be Scientist at the desk.

Two songs from the Weh Dem Fah album — Wicked Can’t Run Away and Sleng Teng excursions.

Riding a new version of killer Roy Dobson roots with the lyrics of his Photographer classic… but actually it’s the flute-led dub which does it for us.

Tough, dismissive, soundboy digi. A King Tubby dubplate from 1986.

Black Ark business.

Rasta Cowboy excursion.

Hurting, heartfelt sufferers about youth unemployment in hard times.
Our favourite of these three new Jah Lifes from Digikiller.
All three run the same ruff digi rhythm, stripped and venomous on the flip.
All three are previously unreleased.

‘It’s not of my own will to idle on a corner.’

‘Special dedication to all the people who live inna House… Ain’t no house like Waterhouse… Ain’t no house like Firehouse.’
From the Sleng Teng era but played live. Total, heart-lifting class.
Altogether now…

‘Coxsone Boy’ showed Mr. Dodd how to lick over Studio One’s vast armament of foundational rhythms for the dancehall era to come (and claim them back from Channel One). He knew them all backwards from singing over them on his sound.
Killer selection.

Sugar’s debut LP, from 1978: inspired, crafted voicings of all-time classic S1 rhythms, banger after banger, insouciantly announcing the rebirth of the greatest reggae label of all time, with vibes and panache to the max.
Hotly recommended. Crucial Studio One.

Top-quality, previously-unreleased Sugar, in fine voice at Joe Gibbs. Strong rhythm, too, rich and moody.

Vintage UK digital, animated by Sugar; a Shaka tune in the day.
(A bit disappointingly, Preacher Cleavie Jefferey is three men: producers Preacher, Cleveland Neunie and Jeffrey Beckford.)