Sugar’s debut LP, from 1978: inspired, crafted voicings of all-time classic S1 rhythms, banger after banger, insouciantly announcing the rebirth of the greatest reggae label of all time, with vibes and panache to the max.
Hotly recommended. Crucial Studio One.

Top-quality, previously-unreleased Sugar, in fine voice at Joe Gibbs. Strong rhythm, too, rich and moody.

Vintage UK digital, animated by Sugar; a Shaka tune in the day.
(A bit disappointingly, Preacher Cleavie Jefferey is three men: producers Preacher, Cleveland Neunie and Jeffrey Beckford.)

Two knockout Wackie’s 12” sides, paired together for maximum pressure. Each originally appeared on separate twelves, around ‘85 and ‘80. The A-side is another deadly Sugar shot, one of so many for Wackie’s. Backed here with the more obscure Zion Land, a stunning, shimmering roots chant. Both sides extended mixes.

Nice, mid-tempo tune, Eek A Mouse style and fashion.

Terrific, deep roots, protesting the imprisonment of Desmond Trotter for the 1974 murder of a US tourist in Domenica. (Trots was fingered by a young lady from Antigua called Pretty Pig, the court was told.)
Originally released on the Jumbo Caribbean Disco label run by Brooklyn’s African Record Center shop. Discomixes, both sides.
Don’t miss it.

Ace, quirky one-away — effervescent singing on a bubbling rhythm, with ticking drums and deft keyboard interjections.

A locomotive Ben E. King cover and some wistful Deadly Headley. Derrick’s singing is clear as a bell; Striker Lee works the throttle. One to stick next to DM’s Seven Letters.

Bringing together two sevens originally released in Jamaica on the Afro Black label, in the mid-seventies. Rootical domestics, soulfully delivered, over tight, funky playing. You Let Me Down is Wackies’ sublime Black Harmony rhythm, no less.
Collectors’ heaven, utilising Joe ‘Basement Session’ Morgan’s own imprint Fish Tea, going since the 1980s.

The ska originator in his 1964 prime; plus a knees-up Baba Brooks.

Wow… the triumphant comeback of the indomitable King Culture. Super-heavy, Radics-style, wrecking-ball rhythm; proper singing; tough dub. The mixing of the harmony singing is magical.

His masterwork, from 1975. Great songs — a tough mix of mysticism, politics and philosophy — with Robbie Lyn from the Sound Dimension, Geoffrey Chung gently testing the reggae envelope, Clive Hunt from Wackies, a sprinkling of Black Ark, masterful drumming by Horsemouth… and PM’s compelling voice.