A set of four Jammys dub-plates, courtesy of Dub Store, Tokyo.

Soulful, enraptured excursion on God I God I Say, with a lovely melodica dub.

Two excellent, righteous vocal cuts to a tough, downtempo, rootical rhythm, in a brief respite from dancehall at Tubby’s HQ.
Latest in Dub Store’s lip-smacking series of Firehouse dub plates.

Heavy Lloydie Coxsone production (with Sly, Horsemouth, Malawi, Bagga, Chinna, McCook and the rest), featuring Shaka favourites like Homeward Bound and Voice Of The Poor. Tougher than the classic Black Star Liner album.

Recorded after eighteen months in prison for possession of a little cannabis, here is the definitive cut of the knockout song Creator revisited for the Upsetter.
Profound, stoic reasoning on a tough rhythm, with the wings of a dove. Wailing backing vocals, blurts of organ, burning horns; singing schooled by Bing Crosby and Nat King Cole.
On the flip, Come Down 68 puts us back behind behind bars, at year-end, looking forward to getting out. ‘Come down, evening, come down, night. Let me see that morning light.’

The original Randy’s version is a desert island disc — and nearly twenty years later this a magnificent do-over by way of the Black Ark, originally released by Tony Owens’ Seven Leaves, in Kensal Rise.

Tough, red-eyed roots, recorded at Wackies with strong Upsetters flavouring.
The dub is minimal, rough and in-your-face… for playing loud.

1990 digi killer by Leicester’s finest, originally out on the Japanese Tachyon label run by Bullwackies cohort Sonny Ochiai. Classic.