Deeply zonked and moody variation on The Abyssinians’ classic, with a wicked blend of kit and machine drums. Rough.

The commanding, concussive first LP of the Voice of Thunder, from 1976, chanting psalms and prayers over tough Lloydie Slim productions, mostly with the Aggrovators. (Plus a seemingly random Upsetters rhythm.)
‘Those who have ears to hear, let them hear.’
It’s a must.

A previously unreleased mix of the great man toasting over a one-away Satta excursion, for Lloydie Slim; and a previously unreleased dub.

The alluring, mystery female vocalist here is cool and deadly amidst the mayhem, beside a tasty harmonica lead. Nice bebop saxophone, too, on the flip.

Angry, tear-up digi, both sides.
Two scorchers from 1989; blazing out of Annotto Bay, on the northeastern coast of JA.

Two great sides: MF in fine sufferers style on a flinty Roots Radics version of No More Will I Roam (though you can’t refine Niney); and a vibesing Rockfort Rock from Ranking Joe, on the flip.

Rupie Edward’s wise and witty account of the 1973 Foreman-Frazier fight in Jamaica, over his own deadly Down Below rhythm, with tasty dashings of Errol Dunkley, and the influence of Lee Perry in full effect. Pure vibes.
Featured in its instrumental glory on the flip, the rhythm appealed so much to Coxsone Dodd that he bootlegged it.

A militant steppers — reminiscent of Johnny Clarke’s Blood Dunza — with magnificent trombone-playing by Vin Gordon. Shaka fire. Ace.