Previously unissued underground rock from 1969, Rockford, Illinois.

His seismic 1956 recordings presented alongside an 88-page book specially authored by Peter Guralnick, featuring numerous beautiful, previously-unpublished photographs.

Country punk from 1985.

Stunning solo, acoustic demos of Pale Blue Eyes, I’m Waiting For The Man, Heroin and co.

‘This third solo album is a deep, widescreen exploration in classic Brazilian song with all the subtlety and delicacy you’d expect from the pioneers of Musica Popular Brasileira, coupled with a thoroughly 21st century sensibility and sonic innovativeness. Layers of intricate instrumentation and arrangement make for spellbound, excavatory listening.
‘Recorded following Gomes’ move from Rio to Lisbon, the album is imbued with a sense of unease and cultural dislocation. A number of songs based on the Samba Ostinato explicitly celebrate Brazil’s musical heritage and culture.
‘Led by Gomes’ gentle and dreamy voice, the music is often reminiscent of mighty trailblazers like Caetano Veloso, João Bosco, or Edu Lobo, though it takes unexpected lines of flight into more experimental territory. An element of drone underpinning the whole album takes full charge on Fllux and Transição; and the finale is molten, raging hardcore.
‘A sun-drenched, balmy dream from start to finish.’

All the stuff he did for Smash.

Legendary, underground French rock from 1980, ranging from lo-fi fuzz to full-blown prog. Each song is presented as the hallucination of a possessed six-year-old. Featuring the fourteen-minute Theme Guerre.

Late-60s psych folk — a massive underground smash in South Africa — with the calypsofried drug-sick masterpiece Sugar Man.

All six singles, twelve sides — dark and visceral garage rock recorded in Lima in 1965-66.