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Loco, lo-fi garage and psych, 1966-7, put together by the people behind the excellent Six Feet Under compilation.
Superb fourth album, bare but sparkling, steeped in her vaudevillian take on Americana, rawly confessional and beautifully voiced as ever — a mid-thirties heartful of fierce discontent.
From 1971, contemporary settings of Handel, illuminated by psychedelic guitar, flute and electric piano, and a break-happy, funky rhythm section. Carol Kaye plays bass; Cannonball Adderley conducts the 38-piece orchestra (fresh from his own Black Messiah sessions). The gospelised choral sections carry the swing, as seems right.
‘In these recordings without amplification I could hear the natural resonance of the instruments and the subtleties in the vocals. They also played songs not heard in the dance halls: haunting, sad songs.’
Outtakes, alternate versions and rare tracks.
Anniversary LP edition.
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