Besides the debut single She Is Beyond Good And Evil adding the ten-track album Alien Blood and Y Live.
Alien Blood unearths revelatory, never-before-heard material, including the studio recording of Kiss The Book,  a gloves-off version of We Are Time (Ricochet) and Words Disobey Me (Dennis The Menace Mix). It exposes the raw skeletons of iconic tracks such as Thief of Fire (Bass Addict), at its original velocity.
Y Live captures all the fierce urgency of the group’s live performances at the time, at a variety of locations including New York, Manchester and — on a bill with William Burroughs and Joy Division — Brussels. It bottles what was so thrilling about The Pop Group.

Too experimental for their label International Artists, back in 1967.

Their seminal 1979 LP debut with Dennis Bovell at the mixing board. 180g vinyl.

A third album of luscious sampladelic pop magic. Catchy, laid-back Beach Boys-esque pop and Laurel Canyon-bedsit-style loveliness.

Wants-list Kansas City power-pop, from forty years ago, luxuriously revived.

‘With Touch, the Tortoise bandmembers — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise’s unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise’s now-signature internal logic — equally alluring and confounding, a puzzle to be savored rather than solved.’