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Charanjit Singh
Synthesizing — Ten Ragas To A Disco Beat
Light In The Attic
Astounding 1982 conjurations of ancient ragas on the Roland TB-303 and TR-808 synths which would define Acid. Pulsating, minimal grooves; a living Indian antecedent of House.
Released in cooperation with Singh’s estate. With a sixteen-page LP booklet containing previously-unpublished photos and two new essays. Remastered; luxuriating over four sides for maximum aural impact.
‘The mesmeric bass lines, the spare simplicity of the arrangements and the constant motion make the whole work a proper piece of electro history, akin to Manuel Gottsching’s E2-E4 for its understated visionary importance’ (Mojo).
Her legendary, heart-wrenching recording for Capitol in 1969; now remastered all-analogue-style from the masters; with a decent booklet.
Her amazing masterwork — the last word in raunchy hard funk, with Anti Love Song, of course, and three decent bonus tracks. Props to Sly Stone’s drummer Greg Errico, and Larry Graham. BD, so BaaaaD.
Outstanding, laid-back gospel from 1979 — possessed by the sublimity of Bobby Womack — originally issued on its own S&K label by the Sanders family, from the Witness Of Jesus Christ church in Fresno, California.
The opener is the killer shit; knockout soul music about dying. We could listen to it for days on end.
Stunning solo, acoustic demos of Pale Blue Eyes, I’m Waiting For The Man, Heroin and co.
‘My favourite singer in the place was Karen Dalton. Karen had a voice like Billie Holiday’s and played the guitar like Jimmy Reed’ (Bob Dylan).
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