Her amazing masterwork — the last word in raunchy hard funk, with Anti Love Song, of course, and three decent bonus tracks. Props to Sly Stone’s drummer Greg Errico, and Larry Graham. BD, so BaaaaD.

‘Birkin’s 1973 album Di Doo Dah was a brilliant confection of symphonic pop, filled with dark, strange songs every bit as fantastic as those on the albums Gainsbourg released under his own name in the early 70s, arguably the height of his powers: listen to the superb Encore Lui for proof’ (The Guardian).
With inimitable arrangements and orchestral direction by Jean-Claude Vannier.
The lyrics are transcribed and translated into English in the booklet, alongside some nice new photos.

Truly pioneering electro-funk — treated, lo-fi, minimal, fundamentally desolate — this long overdue compilation of Sly’s own Stone Flower label runs the five 45s alongside ten previously unissued cuts, all newly remastered from the original tapes. The missing link between the rocky, soulful Stand! and the dark, ticking, overdubbed sound of There’s A Riot Going On, his masterpiece. The notes include an exclusive new interview with the great man himself.

Outstanding, laid-back gospel from 1979 — possessed by the sublimity of Bobby Womack — originally issued on its own S&K label by the Sanders family, from the Witness Of Jesus Christ church in Fresno, California.
The opener is the killer shit; knockout soul music about dying. We could listen to it for days on end.

Stunning solo, acoustic demos of Pale Blue Eyes, I’m Waiting For The Man, Heroin and co.

Lavish, first-time release of a previously unheard 1969 studio session.
Ten acoustic solo recordings: brand new songs mixed with stripped-back versions of the likes of Jerome, So Natural and Whistle Stop, from UFO.

Following on from UFO, in 1972, but ‘a different beast. Out go The Wrecking Crew, in comes arranger Jim Hughart [who worked with everyone from Joni Mitchell to Tom Waits to David Axelrod]. The result blends Sullivan’s folk-pickings with bold-ass brass (You Show Me), funky lounge (Sonny Jim), swampy blues (Biblical Boogie) and even honky tonk — see Sandman, ‘rescued’ from UFO along with Plain To See, its already fearsome breakbeat funked up to 11 and beyond’ (Mojo).

Terrific 1968-72 demos by this giant of American country, including many of his masterworks. (A bunch of asses here at HJ, as is often noted. You don’t like Hank, you can kiss them all.)

Nine new songs recorded with the legendary engineer Kearney Barton by Seattle soul and funk legends like Patrinell (Pastor Pat Wright) Staten, Robbie Hill, Ron Buford, Black On White Affair, and others!

A close collaborator and friend of The Beach Boys, his was the first issue by their Brother Records imprint. This was cut at Brian Wilson’s house in 1969 and thought to have been lost.

Look out for Wayne McGhie, Jackie Mittoo and Johnny Osbourne passing through from Studio One. Also Alton Ellis’ son, Noel, and numerous local one-aways. Lovingly researched.