Astounding 1982 conjurations of ancient ragas on the Roland TB-303 and TR-808 synths which would define Acid. Pulsating, minimal grooves; a living Indian antecedent of House.
Released in cooperation with Singh’s estate. With a sixteen-page LP booklet containing previously-unpublished photos and two new essays. Remastered; luxuriating over four sides for maximum aural impact.
‘The mesmeric bass lines, the spare simplicity of the arrangements and the constant motion make the whole work a proper piece of electro history, akin to Manuel Gottsching’s E2-E4 for its understated visionary importance’ (Mojo).
Stunning solo, acoustic demos of Pale Blue Eyes, I’m Waiting For The Man, Heroin and co.
‘My favourite singer in the place was Karen Dalton. Karen had a voice like Billie Holiday’s and played the guitar like Jimmy Reed’ (Bob Dylan).