‘Very lovely indeed,’ it says in Uncut. ‘For half an hour, fragile pop melodies are drenched in an enveloping haze of guitar fuzz, Liz Harris’ vocals shaped by a heavy reverb aura.’
‘Harris’ low moan is an exquisite performance, her fingers reaching around your heart to exert powerful emotional pressure,’ attests The Wire.

A rare sighting of Eye from The Boredoms, kicking up a rumpus with Japanese noise-rock duo Gagakirise.

An anti-war collage of words and sounds from August 6, 1966, including contributions from a plastic clock-radio, The Velvet Underground, Gerard Malanga, Marion Brown, Allen Ginsberg, Ishmael Reed, Andy Warhol (standing around silently) and Ed Sanders.

Exclusively tailored in places, planes, hotel rooms and at home — fifteen bespoke songs and instrumentals from the Hot Chip.

Charged garage-rock from Vancouver, BC, Canada, 1970. Championed by the innumerate Enjoy The Experience: ‘Amongst my favorites, the sincerity and verve in the performances remain fresh to the ear and heart thirty years later.’

Too experimental for their label International Artists, back in 1967.

Intensely sought-after, highly-considered, late-60s psych rock — homespun, funky, introspective — privately pressed in the dark, hazy twilight of flower power. Plus D’s back pages, expertly restored.

His first professional studio session — in a cupboard set up to do jingles — produced many of his most famous sides and definitive versions. Stuff like Part Of The Problem, Bloody Knuckles, Teen Routines.

The exciting Cairo-based project of Alvarius B (Alan Bishop from Sun City Girls and Sublime Frequencies), with Cherif El Masri, Aya Hemeda and Sam Shalabi. Fully-fledged, dark, Middle-Eastern-flavoured psych-folk.