Exclusively tailored in places, planes, hotel rooms and at home — fifteen bespoke songs and instrumentals from the Hot Chip.

‘If you’ve never encountered Tazartès before, this is an excellent place to start… Immersive, transporting, and deeply arresting music… a unique world of exotic, electro, and acoustic sounds.’
His fourth album — plus the five-parter Whatever Works Singing Wild My Rock, which opens with GT fooling about over the top of a crackly 78, detours into outernational trance, and closes with some hardcore punk.

Improvisatory, personal recordings made on various synthesisers between 1989 and 2017.
‘Amazing music that moves between abstract electronic experiments to melodic, DMT bent sounding, classical contemporary music and futuristic soundtracks from non-existing sci-fi movies you’ll wish you could see. It time-warps you from here to there then freezes the moment… very focused, unpretentious and highly emotive music . A wonderful and dreamy sound garden’ (Tako Reyenga, Music From Memory).
‘Chateauroux is mighty… A proper zoner. Flung on earth’ (John T. Gast).

A symphonic layering of phone-taps by Scanner and TT, aka DJ Sprinkles.
Plus some deep, glitchy Ambient by the label-boss, with piano and harpsichord.

Dazzling, revolutionary genius.

‘Stalling was a visionary whose work deserves consideration among the finest American avant-garde music ever recorded. As these selections from WB cartoons dating between 1936 and 1958 attest, his cut and paste style — a singular collision between jazz, classical, pop, and virtually everything else in between — was unprecedented in its utter disregard for notions of time, rhythm, and compositional development; Stalling didn’t just break the rules, he made them irrelevant. That in the process he created music beloved by succeeding generations of children is more impressive still’ (AllMusic).

Swaying, haunting tangos from Turkey, from the twenties to the fifties, drenched in tears and booze, regret and recrimination.