Representing three years of recording after-hours at the New York radio station where he worked, this is TD’s stunning debut, originally self-released in 1961, and later issued by Folkways.
‘Oscillators pulse and clash with fragments of incidental tape music, leaving collages of sound as tuneful and memorable as they are otherworldly. A visionary debut that presages the abstract ambience of modern IDM and an essential addition to any collection of early electronic music.’
Four unhinged, starkers dashes through the outernational dancehall by Saam Schlamminger (aka Chronomad) and Burnt Friedman. Ace.
A terrific, bountiful seasonal single — with Bonnie Prince Billy in his cups on one side, and Mike Heron from The Incredible String Band on the other, with a Boxing Day ghost story. Beautifully sleeved, limited.
‘New levels of excellence… a poetic incantation of British identity far brighter than Michael Gove’s proposed GCSE history syllabus *****’ (The Sunday Times). ‘Magnificent ****’ (The Guardian).
‘Hair-raisingly good… incandescent’ (The Observer).
Entirely exclusive music, unique to this release, with a radiant silk-screened sleeve: four from The Marble Downs sessions with Will Oldham, a Scott Walker to start; and a side of unaccompanied folk singing.
Utterly essential for any fan of Brazil’s legendary counter-culture movement. Gathering all the main players, such an amazing array of talent, this LP acted as a kind of manifesto.
‘Multiphonic trills and yodels, loops of ululations, sudden percussive outbursts, warbling glissandi… sculptural, oscillating, swirling tone-colours… the human voice dissolving into the sounds of birds, machines, electronics, scraps of otherworldly language.’
Ute was a student of Henning Christiansen and Allan Kaprow; she is a collaborator of Rhodri Davies and Phil Minton, amongst many others.
Wonderful stuff; original, naked, visceral, transfixing, fun. Check it out.