Ed Sanders founded a magazine called Fuck You (in 1962), a radical bookshop on the Lower East Side of NYC, named Peace Eye, and The Fugs.
This is a kind of incantatory left-anarchist history lesson, with interjections on a small keyboard called a pulse lyre, which he invented and built himself. It’s droll, epic, engaging, stirring; warmly recommended.
Presented in a beautiful gatefold sleeve, with lyric sheet.

‘Many mayhemic forces were set against the socialist zone…’

Lovely. Classical songs by such exemplars as Schubert and Schumann, re-imagined with heart and soul as bare, doleful folk. Just voice and electric guitar.

Terrific — lit-up, reaching and odd — Josephine playing harp, guitar and piano (and singing), with Alex Nielson on drums and Victor Herrero, lead guitar.

Patti Smithed. ‘Lyrically, stylistically and musically, this is a fearless, soon to be classic post-punk rock and roll record that delivers the goods from start to finish.’

Settings of the poetry of Emily Dickinson.

‘A maze of spirituals, on four levels. Ritual prayers, blues laments, vestal hymns and jubilant benedictions hearkening back to the esoteric balladry of This Coming Gladness, the native rhythms of Blood Rushing, the somnambulist waltzes of I’m A Dreamer, and the Shaker primitivism of Hazel Eyes, I Will Lead You. Self-accompaniment on guitar, piano, organ, harp and autoharp, with Victor Herrero (lead guitars), Gyða Valtýsdóttir (cello), Chris Scruggs (pedal steel) and Jon Estes (bass), as well as cameos by members of The Cherry Blossoms and others.’
Clear vinyl.