Honest Jon's
278 Portobello Road
London
W10 5TE
England

Monday-Saturday 10 till 6; Sunday 11 till 5

Honest Jon's
Unit 115
Lower Stable Street
Coal Drops Yard
London
N1C 4DR

Monday-Saturday 11 till 6; Sunday 11 till 5

+44(0)208 969 9822 mail@honestjons.com

Established 1974.

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Joy Mack

You Had Your Chance

Four Sixty

  • 1-OFF 7" SOLD

Loren Chasse, Juho Toivonen

Aclod

Hive Mind

Nicolo

Adapting To A Different System Not Using Technology

Baroque Sunburst

Nicolo

Static

Exploring Records

Mighty Travellers

Black Black Mind

Travellers

Natty King

Blood Out There

Insight

Milton McLean

Brim Stone

Vision

Wickerman, Colin Roach

Eliminate Slackness

Roof International

Charlie Chaplin, Sugar Minott

Four Wheel Wheely

Crown

  • 1-OFF 7" SOLD

Sang Hugh

Last Call Fe Blackman

The Thing

  • 1-OFF 7" SOLD

Turbulence

Mass Destruction

Insight

  • 1-OFF 7" SOLD

Turbulence

Notorious

THC Muzik

  • 1-OFF 7" SOLD

Lloyd Brevette & The Skatalites

Middle East

Planit

  • 1-OFF 7" SOLD

Ron Berridge

Music To Watch Girls By

Tropico

  • 1-OFF 7" SOLD

General Jennings & The Thrillers

Natty Palace

Federal

Top Cat

No Jesterin'

Arab

Lloyd Terrell

Oily Sound

Bullet

Rad Bryan

Rock To The Music

High Note

Tommy Shakespeare

Rolling Stone (One-off)

Roosevelt

  • 1-OFF 7" SOLD

Waiting For Your Return

A Shidaiqu Anthology 1927-1952, Pt. I

Death Is Not The End

Waiting For Your Return

A Shidaiqu Anthology 1927-1952, Pt. III

Death Is Not The End

‘Shidaiqu means ‘songs of the era’: a hybrid musical genre arising in the cosmopolitan city of Shanghai in the late 1920s, blending traditional Chinese elements with western pop, jazz, blues, and Hollywood-inspired film soundtracks. It represented a musical and cultural merging that would go on to shape a golden age of Chinese popular song and film in the interwar period.
‘Waiting For Your Return ranges from early beginnings — like the 1927 recording Drizzle, often considered the first shidaiqu 78, composed by Li Jinhui and performed by his daughter Li Minghui — through to more polished examples in succeeding decades, by such stars as Bai Hong, Wu Yingyin, Yao Lee, and most prolifically Zhou Xuan.
‘The recordings here reach up until the shidaiqu’s local demise in the early 1950s, when the Chinese Communist Party denounced it as ‘yellow music’, outlawing nightclubs and the manufacture of pop music, and destroying western-style instruments. At this point many of these singers decamped to Hong Kong, enjoying further success throughout the 1950s and into the 1960s.’

DeeJay

Scotch Bonnet

2 Bad

Gyptian

Serious Times

Frenz

Chosen Few

Shaft

Songbird

Terry Ganzie

Wicked Man

Killamanjaro

  • 1-OFF 7" SOLD
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