One-sided promo.

Party music for sufferers, Count Ossie style: deep, spiritual and hurt, but still up for it.
Plus a sensational nyabinghi version of Miriam Makeba’s massive Pata Pata, with Patsy pon mic.

King Curtis scorcher.

First time out for this Paragon’s feeling excursion on the same Java re-lick as Roman Stewart’s Rain A Fall.

A contender for the heaviest dub of all time.
When the Rootical Dubber had a go at reissuing Trevor Byfield and co, many years ago, he omitted this, saying it was just too awesome to mess with.

Heavy roots; thumping dub. Turns out that Moses was being discreet.

Top-notch roots; and another great Vassell-Williams dub.

His first recording, originally released in the mid ‘70s on the Percival label, and recorded at Dynamic Sound with the Now Generation Band. Nice and chunky.

Only an unmissable next dub of the titanic Tell Me That You Love Me rhythm, for crying out loud.

Excellent uptempo digi, with burning horns and a decent dub. No sitar and tablas, unfortunately.

Early, mostly unreleased, truly pioneering electronic work.
‘Through Pauline Oliveros and Deep Listening I now know what harmony is. It’s about the pleasure of making music’ (John Cage).