First time out for this Paragon’s feeling excursion on the same Java re-lick as Roman Stewart’s Rain A Fall.

A contender for the heaviest dub of all time.
When the Rootical Dubber had a go at reissuing Trevor Byfield and co, many years ago, he omitted this, saying it was just too awesome to mess with.

Heavy roots; thumping dub. Turns out that Moses was being discreet.

Top-notch roots; and another great Vassell-Williams dub.

His first recording, originally released in the mid ‘70s on the Percival label, and recorded at Dynamic Sound with the Now Generation Band. Nice and chunky.

Only an unmissable next dub of the titanic Tell Me That You Love Me rhythm, for crying out loud.

Excellent uptempo digi, with burning horns and a decent dub. No sitar and tablas, unfortunately.

Early, mostly unreleased, truly pioneering electronic work.
‘Through Pauline Oliveros and Deep Listening I now know what harmony is. It’s about the pleasure of making music’ (John Cage).

Zany, Alaskan, harmonica-led electro-pop, with a case of Krautrock-and-the-Moroders, originally released in 1980.

Groovy version of the Deodato-CTI Gershwin interpretation; with a Willie Lindo. The dub does the trick.

Soul jazz from the jazz pianist plus trio. The first half’s a bit soft, before Aquarius marks the dawning of the funky stuff — Evil Ways, Shaft, Booty Butt — ending with a cooking cover of The Meters’ Funky Miracle.