Superb roots, tough dub. A dilly from Tilly. Larry nuh tarry.

Perfectly irresistible, bumptious girl-pop from Judy Mowatt’s group.

The Tartans — Prince Lincoln, Cedric Myton, Devon Russell and Berg Lewis.

Tasty rudeboy anthems from Cedric ‘Congos’ Myton, Devon Russell and co —  a dancehall tribute and a jailhouse portent. Double-bass in the place.

Bumping rocksteady — with a gospel, Toots flavour to the A; a little more booting rhythm and blues to the flip.

Lovely harmonising by Devon Russell, Prince Lincoln Thompson, Cedric Myton and Lindburgh Lewis, over a chunky rocksteady rhythm. Plus a sweetly imploring Tommy McCook instrumental on the flip, with deft guitar-work by Hux Brown, and a gently rocking brass section.

Sweet, uptempo rock steady from Henry Buckley, in 1968, with backing from The Gaylettes. A more rootsy, Biblical edge to the B-side, which was originally coupled with Roland Alphonso’s How Soon.

Featuring the Gamelan Semar Pagulingan — the ‘Gamelan of Love in the Bedchamber’ —playing instruments that no longer exist, in repertoire originally performed just outside the private residence of a raja during meals and quiet times… and when he was up to no good with one of his wives.

Kebyar with sung poetry, gambuh dance-drama, ancient ritual angklung, and solo flute.
Full English translations in the booklet.

Achingly subtle, erotic dance and dance-opera experiments, including the first recordings of female participants; with an extensive essay as a PDF, linked to 1930s silent films and photo library.

Following on from UFO, in 1972, but ‘a different beast. Out go The Wrecking Crew, in comes arranger Jim Hughart [who worked with everyone from Joni Mitchell to Tom Waits to David Axelrod]. The result blends Sullivan’s folk-pickings with bold-ass brass (You Show Me), funky lounge (Sonny Jim), swampy blues (Biblical Boogie) and even honky tonk — see Sandman, ‘rescued’ from UFO along with Plain To See, its already fearsome breakbeat funked up to 11 and beyond’ (Mojo).

Lavish, first-time release of a previously unheard 1969 studio session.
Ten acoustic solo recordings: brand new songs mixed with stripped-back versions of the likes of Jerome, So Natural and Whistle Stop, from UFO.

The 1982 NYC-post-punk classic, bundling together Can, DAF, PIL and Joy Division.
The sole album released by Factory US.

He’s celebrated for nutting out with Huey Piano Smith’s Clowns — but this is classic, essential,  mid-60s southern soul, recorded for Stax and American in Memphis, and FAME in Muscle Shoals, with knockout ballads.