In lyrical homage to French filmmaker Jacques Tati, with pianist Stefano Bollani and drummer Paul Motian.

With the brilliant Italian pianist Stefano Bollani — a mixture of their own compositions, improvisation, and covers, including two versions of Jobim’s Retrato Em Branco Y Preteo.

Solo, playing classical and 12 string guitars as if he were eight-handed — with a version of Goodbye, Pork Pie Hat and a Scott LaFaro in amongst the originals.

With Steve Coleman, Julian Priester, Marvin Smitty Smith and Kenny Wheeler.

Silvio Rodríguez, Bartók and Satie, in amongst original compositions and improvisations, beautifully elucidated by Stenson’s uncluttered lyricism, Anders Jormin’s arco double bass and Jon Fält’s impressionistic drumming. Mompou’s Canción Y Danza succeeds perfectly this way.

‘The ghosts of Armstrong and Handy smile down as Trovesi’s octet roars through a programme that cross-references the spirit of New Orleans with Italian popular song and European classical music.’

A village banda take on tunes from Italian opera — knees-up, sublime, lovely.

With David Finck and Joey Barton, and Joe Lovano guesting.

Heavy lovers, a Kush Dan I production.

‘A sensual, haunting and reflective road movie that captures the magic of music.’ Grafelfing to Athens, Udine to Carthage, Tallinn to Pernes-les-Fontaines, Copenhagen to Salta in Argentina.

‘I pushed myself to write songs and dances uninfluenced by the sophistication of contemporary musical languages, pieces that might have been played on archaic instruments a thousand years ago.’

The trumpeter in particular thriving in the strangeness of the set-up — Trane with Ornette’s band, on soprano, playing three Colemans, a Monk and a Cherry.
Superior 180g vinyl via Rhino, in mono.

Lethal footwork from three originators. The A is dancefloor murder, honed and nasty, vintage Chicago and Detroit gone clear across the SA border; the flip is a fierce, futuristic juke vocal collage, hard as nails.

Exotica, a bossa, and real-deal British bebop from 1964: four unissued cues featuring The Hastings Girl Choir, and four cuts with Coleridge Goode and Bobby Orr.