Two spaced-out, synthed-up, house tearaways; a chunk of totally fucked-up dancehall; dub techno. A guitar solo and tincture of Fleetwood Mac to boot. TTT measures.

Crucial Arthur — with a deadly Walter Gibbons mix.

Pipa master Wu Man and her Uyghur, Tajik, and Hui collaborators explore connections between the musical worlds of China and Central Asia.

From 1982, with his boom tune Buttercup. Arrangements by Teena Marie; Jamaican pressing and sleeve. CA was at Motown from 1972 — behind the scenes on Songs In The Key Of Life, for example.

Stunning solo, acoustic demos of Pale Blue Eyes, I’m Waiting For The Man, Heroin and co.

One-sided promo.

Party music for sufferers, Count Ossie style: deep, spiritual and hurt, but still up for it.
Plus a sensational nyabinghi version of Miriam Makeba’s massive Pata Pata, with Patsy pon mic.