‘The surrealist, psychedelic brain-burps of notorious all-caps-tweeting wind-up-merchant Louis Johnstone aka Wanda Group. Twenty-six congealed morsels of spur-of-the-moment
sound-art executed with genuine economy of means, namely… a phone. An impulsive, scatter-brained trip into the inner circles of regional weirdness, secreting a creeping unease which really gets under your skin. Fragments of aural rubble haphazardly cohere into galvanising spacial tones and textures, punctured by Johnstone’s garbled Essex rantings. The long-distance stare of warbled tape loops is abruptly fractured by a drunken sing-along in a care home for the elderly. As hallucinogenic takes on the utterly mundane, there’s an obvious kinship with Lambkin’s nocturnal, straight-to-dictaphone sound-pieces. Dan Johannsen’s splintered classical collages on that PIG tape and the suburban soliloquies of Regional Bears alumnus Russell Walker also feel closely aligned.’ (All Night Flight)
With an A4 riso insert.

Starkly intimate, utterly captivating early recordings by this wonderful Malian singer. Voice and acoustic guitar only; as if you were the only person in the room.
The sound has been brilliantly restored by Awesome Tapes, for its fiftieth release.
Achingly beautiful music; hotly recommended.

‘Further adventures in Organic Electronic Music by this rigorous magician of vaporous, oscillating patterns, sidereal frequencies, nebulous dust; explorer of inter-zonal paths, new dreamlike dimensions, undiscovered planets. Marrying the momentum of Kraut-Kosmische with a personal, gentle minimalism, DSR Lines specialises in rare atmospheres of rhythmic pulsation, with enveloping, spiralling sounds, luminous and radiant in their hypnotic aura, or magnificently ecstatic and ascending.’

The best of Ern’s sixties LPs. A lovely bunch of rocksteady instrumentals, featuring a cool and deadly Summertime, bumping versions of Hold Me Tight and Flamingo, a moody Story Book Children, some bluesy honky-tonk, and the far-eastern stylings of Sling Shot, to close.

Soul jazz from the jazz pianist plus trio. The first half’s a bit soft, before Aquarius marks the dawning of the funky stuff — Evil Ways, Shaft, Booty Butt — ending with a cooking cover of The Meters’ Funky Miracle.