Classical, no-frills, piano-trio jazz, recorded in 1977 in San Francisco, though released only in Japan at the time. VSOP without horns; more hard-bitten and introspective.
With Ron Carter and Tony Williams in Milestones and four Herbies, including a gnarled Speak Like A Child.

From 1983, the same year as Jamming In The Street, his unmissable collaboration with Sugar Minott. Kicks off with a Queen Of The Minstrel excursion. Drifter is here, Late Night Blues, No More Will I Roam, Yo Yo, Real Rock. Sly & Robbie with the Aggrovators; Bunny Lee at the controls. Full-strength, body-rocking, early-eighties deejaying. It’s obvious why sounds like Black Scorpio and Kilimanjaro favoured him.

Free-flowing recordings made in Pakistan with members of the instrumental quartet Jaubi (including Zohaib Hassan Khan on sarangi).

Lovely new soul from Demae (aka Bubblerap, from hip hop crew Hawk House), with contributions from Fatima, Joe Armon-Jones, Ego Ella May and Nala Sinephro.
Fresh, personable and honest in the great tradition of London street soul, suffused with Dilla, Flying Lotus and the new UK jazz scene, this is warmly recommended. Check it out.

Gorgeous, open-hearted Detroit soul music from 1973.
Beautifully produced by Dee Ervin, with vocal accompaniments by Patti Hamilton from The Lovelites, Jean Plum and co.
Newly transferred from the original master tapes, and restored.

The CD adds the sides Hutton cut earlier for Blue Rock (where his collaborators included the genius likes of Donny Hathaway and Joshie Jo Armstead), and also his 7” follow-up to the LP: everything from 1969 to 1974 is here.

With Barry Guy and Tony Oxley in 1971. Gatefold sleeve.

Dub-plate-style Adrian Sherwood departures from the Midnight Rocker set.
Radical re-works, with interjections from Daddy Freddy and Lone Ranger; and stripped-back dubs. Plus some new stuff.