A locomotive Ben E. King cover and some wistful Deadly Headley. Derrick’s singing is clear as a bell; Striker Lee works the throttle. One to stick next to DM’s Seven Letters.

HIs seminal LP, sixty years after its title track turned national anthem of JA independence celebrations; plus the remainder of his early recordings for Leslie Kong’s Beverley’s Records, originally released between 1961 to 1963.
The second disc focuses on Derrick’s return to Beverley’s during the rocksteady era, taking off from his Best Of album, first out on Doctor Bird in 1969.

Classic lonely-lover rocksteady, led by Tony Brevett, with the group on the rebound from Treasure Isle. A young Trinity rides out on the flip.

‘A moody, atmospheric delight. Jim’s roots in composition via tape-editing have evolved into a highly musical assembly of found-and-processed sounds that achieve near-orchestral majesty as they hang in the very air of the drama that unfolds in Kyle Armstrong’s Hands That Bind.
‘Described as a ‘slow-burn prairie gothic drama’, set in the farmland of Canada’s Alberta province, and starring Will Oldham and Bruce Dern, Hands That Bind is a spellbinding trip to the existential bone of rural working life in North America. As conflict rises over hard worked patches of land to provide a mere and mean existence, a desperate air settles in, as a series of mysterious, often supernatural occurrences rock the small community.
‘O’Rourke’s vaporous, serpentine musical backdrops and atmospheres reflect the obsessions and distractions of the film’s principles; moods of all sorts seen or otherwise implied. Additionally, the music highlights cinematographer Michael Robert McLaughlin’s closely observed accounting of the farmers’ environment, as well as the striking widescreen images of the big sky country with unnerving flair.’