Characteristically masterful singjaying; duetting with himself, for added dancehall vibes. The message calls for self-respect to be tempered by humility… probably a bit rich coming from KK. Sick rhythm.

Recorded in Paris, 1965, at the time of the Vietnam peace talks. ‘Donald Byrd occasionally played with us at the Blue Note, so he came in and helped produce the record.’

Great album this; recommended with infernal heat. Beautiful close-harmony singing, killer tunes, tough rhythms, engaging songs. Junjo at Maxfield Avenue, with the Roots Radics. Heavy and luminous from start to finish.

With dubplate mixes.

Ace early Tubbys digi — stripped and moody — with fine, amusing vocals.

Late-eighties Jammys digital roots — with Steelie & Clevie at the controls — following up the classic Hell A Go Pop set. The hits were Running Back To Me and Distant Lover.

‘On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.’

An all-time classic of contemporary Egyptian music, recorded in 1971. The composition is by Baligh Hamdi, for a full orchestra, featuring Omar Khorshid on guitar.

Judith Juma’s wonderful mbira playing — shona ritual music, with singing, drum and rattle.